#Cannes22 NO.13 7.5/10 结尾的戏中戏的哭戏美女比基尼照片是对于间离效果的新尝试主角在电影里的角色需要有“哭泣”和一动作但由于剧情的铺垫观众带着上帝视角了解两人哭泣的真实原因电影里“拍电影”的设置本身就有媒体自反属性而这样的表演上的设置似乎是间离之后再一次间离甚至达到Drive My Car里《奇漫屋画官方》台词多义性的水平
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