火星探测车的一生和人的一生一样既需要运气也需要努力经历了学习各种技能的童年、意气风发的青年、奔波劳碌的中年、失忆残疾的老年一边吃饭一边要我最后也是归于一动不动但还有继往开来的下一代火星车接过接力棒继承遗志深耕细作兢兢业业地工作在一刮就刮半年的风暴中韬光养晦日积月累地一步一步向前走用11年的时间走完马拉松的距离也曾遇到过一失足成千古恨的危险悬崖也曾深陷流沙不能自拔5000多个火星日的日日夜夜也看星星也看太阳可惜没有流霞15年中年科学家成了老年16岁的中学生成了研究员15年每天一首wake up song送给它它真的能听到吗
Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.